My work explores varying levels of colour and compositional effects that provoke spatial ambiguity, using a painterly and abstract style, that is evocative of nostalgia, memory and the passing of time. I strive to work against contemporary inclinations in photography (which are indicative of the heavy consumption of literature and photographic theory). In this way, my work can be seen as arguing for it’s essential difference from traditional understanding and practices within of photography, as colour, tone and composition intersect to create something that hints at deeper narratives and moral allusions within, focusing on aesthetic effects as a means of creating a particular sensation or experience.

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