Submission Photography

Time by the Sea

Seeing the invisible through photographic technology has resulted in a unique interaction between human and mechanical optics - an interplay that has been dominant in several scientific fields since the 19th century.

In my photographic work, landscapes and what affects them are thematised. With that, I try to uncover something more than the purely optical visual: to capture the feeling of being present in these landscapes, by creating an imprint in, with or through movement and time.

Our senses are too rough to register the changes in nature, and it can be too abstract for many to take in. Can photography shed light on what we do not see or notice? Could this interaction between human and mechanical optics help to show the changes, and also shed light on human flaws and their consequences?


https://www.olebrodersen.com/

Time by the Sea

Seeing the invisible through photographic technology has resulted in a unique interaction between human and mechanical optics – an interplay that has been dominant in several scientific fields since the 19th century.

In my photographic work, landscapes and what affects them are thematised. With that, I try to uncover something more than the purely optical visual: to capture the feeling of being present in these landscapes, by creating an imprint in, with or through movement and time.

Our senses are too rough to register the changes in nature, and it can be too abstract for many to take in. Can photography shed light on what we do not see or notice? Could this interaction between human and mechanical optics help to show the changes, and also shed light on human flaws and their consequences?

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