My art questions how we experience nature in our increasingly technological lives. I hope to counter the passive intake of images that bombard us daily by enticing the viewer to engage a moment with one of my painted assimilations of nature. My art originates from visual memories of remote landscapes, waterways and intriguing natural objects like seedpods. I sort the images of this mental slideshow and cull out elements that are not strictly representational but strike me as being vaguely familiar.
The Sweet Unknown
14.09.17 — Mary Elizabeth Peterson
My art questions how we experience nature in our increasingly technological lives. I hope to counter the passive intake of images that bombard us daily by enticing the viewer to engage a moment with one of my painted assimilations of nature. My art originates from visual memories of remote landscapes, waterways and intriguing natural objects like seedpods. I sort the images of this mental slideshow and cull out elements that are not strictly representational but strike me as being vaguely familiar.
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