‘I focused on the distortions in the system, bruises and scars on the elements surrounding the unseen generator. Layer by layer ideas formed a monochromatic block of observations that necessitated the force to show itself, a trick to betray its concealment.’
In my book Relapse NYC, photographic observations in New York City Subway are presented as dissected slides and fragmented visuals. These images are then layered, sampled and distorted by artistic interventions. Condensed to form a body, a sculptural block of monochrome, the piece analyses chaos through repeating occurrences, revealing hidden patterns which define social and environmental tendencies, systems and anthropological structures of the city.
