My work unfolds around a central character: the Prono (prone one, procumbent).
We are faced with the invention of a contemporary archetype that to some extent establishes a dialogue with the Vitruvian Man drawn by Leonardo.
The Prono is a character represented in different contexts, languages and formats, without ever losing his identity, even when joined by a series of collateral factors and figures.
He is massive, geometric, archaic and pop at the same time. He evokes the statues of Easter Island, of Mayan and Aztec imagery, but also Japanese manga and UFO-robots, graffiti and comics. He radiates tangible spiritual energy, a sense of mystery and pursuit of the meaning of existence.
Like many archetypes, he has a dual nature. On all fours, a sign of sacrifice and subjugation, the typical posture of the oppressed. But at the sam
