In creating scenes that, whether practically possible or not, invokes a conversation of the imaginary. In working with linework and shadows, inadequacies and defects are revealed. Stripping out everything from a photograph and then slowly adding, till a point where the work itself is saturated with an oversensory which needs to be imagined to be believed.

As an Architect, everything exists for a reason. As an Artist, what if the rules took a backstage to what can be possible.