Distance in my work is not necessarily limited to spatial and critical distance. Rather, I investigate all manner of distancing features within landscape image repertoires. I am especially taken with kinds of visible seams, inbetween spaces, between here and there, sign and referent, language and utility, category and experience. Flyover country, the road between home and somewhere else, the parking lot, the dark matter in our “natural” logic (of land parceling), of the syntax of landscape. My work owes its specific character to the horizon, in the landscape and elsewhere. Horizon understood as a “margin of indetermination”, is elsewhere scarcely so stark and constant and impossibly far away. On the ocean the horizon blurs into the water like the edge of the aqua-blue sun visor windshield tint. On the plains it is sharp and och