Most Likely to Come Apart is an ongoing self portrait series about identity and the complexity of self-connection over time.
In this series, I use various in-camera illusory techniques to create self portraits with visual paradoxes from bodily fragments. This simultaneous act of deconstruction and reconstruction mirrors the often awkward and fraught nature of the growth process and tests the boundaries between how others perceive us and how we perceive ourselves. It speaks to a struggle for control over our identities and the how we incorporate change from within and without.
