The series of paintings on the theme of "Destructured Landscapes" or how the notions of constructions, deconstructions, reconstructions in the form of an infinite cycle as a sign of human action on the landscape. Moreover, three-dimensional geometric forms are like additional symbols of human intervention on the landscape.
The articulation between the background and the foreground of the paintings plays on the indefinite versus the defined, the sinuous versus the angular, the random versus the calculated, etc... the natural versus the human; because, as as astronaut Thomas Pesquet rightly noted: "From the space station, the contrast is striking between landscapes shaped by human beings and those where nature still has its rights. The typically human order contrasts with the natural sinuosities of the planet...".
