I witness, I Observe, I am not, I am. contains images compiled of both viewing and contemplation. There is an inherent balance between the concrete representational nature that photography stems from and its continued divergence into a deconstruction and abstraction that leads to further looking and contemplations.
By dually isolating moments and assembling them in unison, an investigation and engagement of discursive moments interweaves concerns of existence. These are focused in racial melancholia, love, growth, inherited trauma, grief, collectivism, and deconstruction. Utilizing this way of looking at occurring dynamics and personal dispositions, this work addresses the importance within this contemporary moment to examine oneself and their surroundings in multiple facets.
