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HOW TO PREVENT BIRDS FROM HITTING YOUR WINDOWS

My practice essentially revolves around questioning the photographic medium. I am interested in the ambiguous relation between images and real life as well as their narrative possibilities. The appropriation of amateur images, archives or commercials take a large part in both my photographic and videographic practice. For me, these images, which I take out of context and transform, sometimes radically, embody the most prominent symptoms of the ubiquitous whims and stereotypes of our society. Likewise, in my recent work, I tempt to portrait a rapprochement between the influence of the images to which we are exposed and our relation to the living and the environment.

HOW TO PREVENT BIRDS FROM HITTING YOUR WINDOWS

My practice essentially revolves around questioning the photographic medium. I am interested in the ambiguous relation between images and real life as well as their narrative possibilities. The appropriation of amateur images, archives or commercials take a large part in both my photographic and videographic practice. For me, these images, which I take out of context and transform, sometimes radically, embody the most prominent symptoms of the ubiquitous whims and stereotypes of our society. Likewise, in my recent work, I tempt to portrait a rapprochement between the influence of the images to which we are exposed and our relation to the living and the environment.

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