“Can we go against this technological and cultural trend today, when image manipulation is rampant and the subject of the manipulation is increasingly domesticized from national and ideological background? Is the graphic designer, who is the recipient of the manipulated image and at the same time the producer, balanced between the joys and dangers that he enjoys in these situations?” This book, which approaches the above questions in three points: “phenomenon”, “play,” and “message,” cover the history of image manipulation, problem awareness, and playful characteristics neither seriously nor lightly in the form of conceptual pictorials.
