Hannah Witner's work combines humanoids with an expansive array of visual material with immense play of colors, beginning in consciousness and transience. Her work combines touches of reality with meta-fiction and comedy and reflects our disorder, dissociation, detachment, individualism, and weird minutia of the human condition. The new way that we must move through the world in a post-modern society is explored by the constant state of movement and deformity that the body takes, on it's own and in conjunction with others. She pokes at the flawed and unexplainable through painting and illustration, expressing a disorderliness that is both humorous and amorphic. Witner hopes her new bodies of work read as an exploration into the boundaries that comics and cartoons can push into traditional and non-traditional painting techniques
