As an artist I have been researching with different supports, paintings and diverse materials, I collect, classify, one, dilute, compact, break.
There are two main axes within my creative process: on the one hand, that of my perception of the origin of materials with their own experience and history, through which I extract the invisible that is in them; on the other hand, that of creating plastic hypotheses where the perception of the spectator occupies an active place to complete the meaning of the works, since these are conceived as unfinished processes with intuition as a fundamental constructive element.
I am interested in exploring geometric visual imbalances where the object does not seem repressed or constrained by materials, shapes, colors or textures; So important is for me the object in itself as the deconstruction
