My landscapes are places where people live and work, although the people themselves aren’t seen. The quality of light becomes the central subject: human presence is suggested by parked cars, the flicker of television sets, or the glow from a bedroom leaking out to the quiet outside world. As an immigrant to the United States, I am intrigued by American suburban life as depicted in film, literature, and visual art. Through the images I create of American homes, buildings, and man-made environments, I seek to portray society and some of its contradictions. These scenes represent hopes and dreams, the threat of their failure, and alienation. I hope that my paintings set a stage that allows a drama to play out within the viewer.
Darkness behind the picket fence
04.03.18 — Alberto Ortega
My landscapes are places where people live and work, although the people themselves aren’t seen. The quality of light becomes the central subject: human presence is suggested by parked cars, the flicker of television sets, or the glow from a bedroom leaking out to the quiet outside world. As an immigrant to the United States, I am intrigued by American suburban life as depicted in film, literature, and visual art. Through the images I create of American homes, buildings, and man-made environments, I seek to portray society and some of its contradictions. These scenes represent hopes and dreams, the threat of their failure, and alienation. I hope that my paintings set a stage that allows a drama to play out within the viewer.