The publication "The Relief Channel" is an artistic object built on the basis of photography and its relation to space and time. The process of creating the series of photos was based on a field search for existing installations. The thought of whether a given object, found form, embedded building, color or shape created by the inhabitants of the estates through which I walked are intruder or not has been transferred to the pages of the book. The result of my research was the conclusion that a truly non-invasive installation / operation in space can only manifest itself through manipulation of the photographic image of the situations scattered around the city. Photographically captured images of the city were subjected to invasion (reflection, transformation, transfer, crumbling, etc.) spatializing and temporizing their structur