“Beautiful World(s): KCAI Biennial” features artworks from faculty artists of Kansas City Art Institute, during the recent two years under the context of pandemic and new normal.

To echo with this, and to attract more attention from the young, curious campus community to visit the show, the designer introduced semiotics of coding and nature into the visual identity system, bringing us back to the cyber-spring under the pandemic which “can’t be cancelled” (David Hockney, 2020). Three main posters and three “tearable interactive posters” were created — As an experimental design practice, the “cyberplants” cards from the tearable poster were spreading in out campus through an interactive print design on the wall, before the opening of the show - a plural welcoming for everybody.

https://www.behance.net/gallery/132940773/Beautiful-World%28s%29