It is an interaction between objects and myself: my work is focused on the variation and transformation of endless forms by continued use of the same artifact, including PVC tubes, as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining. The similarities between traditional art-making processes, industrial production, and art training which I have received, which all required great amounts of repetitive actions, led my interests towards experimental practices of combining artificial objects. By composing wearable works that relate to forms and marks, I explore the relationships between practices and self-awareness, artificial objects in traditional arts and modern mass production.
Artificial Orbit
10.09.21 — Suyu Chen
It is an interaction between objects and myself: my work is focused on the variation and transformation of endless forms by continued use of the same artifact, including PVC tubes, as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining. The similarities between traditional art-making processes, industrial production, and art training which I have received, which all required great amounts of repetitive actions, led my interests towards experimental practices of combining artificial objects. By composing wearable works that relate to forms and marks, I explore the relationships between practices and self-awareness, artificial objects in traditional arts and modern mass production.