Submission Painting Featured Submissions

Alina-Ondine Slimovschi

My latest interest resides in the feminine figure, not as a portrait but as an archetypal vehicle for different human emotion as well as for certain aspects of metamorphosis. I consider intricacy and metaphor, symbolism, ambiguity or directness as tools in my endeavor to evoke a series of shifting emotions, themes and experiences, from loneliness and loss, to love and desire, to the need to cope and the need for privacy. I use the path of narrative-driven images with symbolic twists and turns embedded within them, in scenes with mixed potentials, encouraging free interpretation. My goal is to create a paradoxal, ambiguous but still easily readable image for both soul and mind; a synthesis of fantasy and real-world memory, delicate, but determined, innocent, but sensual, the hunter and the haunted in the same time.


http://www.slimovschi.com

Alina-Ondine Slimovschi

My latest interest resides in the feminine figure, not as a portrait but as an archetypal vehicle for different human emotion as well as for certain aspects of metamorphosis. I consider intricacy and metaphor, symbolism, ambiguity or directness as tools in my endeavor to evoke a series of shifting emotions, themes and experiences, from loneliness and loss, to love and desire, to the need to cope and the need for privacy. I use the path of narrative-driven images with symbolic twists and turns embedded within them, in scenes with mixed potentials, encouraging free interpretation. My goal is to create a paradoxal, ambiguous but still easily readable image for both soul and mind; a synthesis of fantasy and real-world memory, delicate, but determined, innocent, but sensual, the hunter and the haunted in the same time.

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