My art explores the manipulation of certain perspectives.
When I was a kid, I used to imagine a lot. Most of the time, I was surrounded by adults. They talked about such dull things. Cars, finance, work, sports were not interesting enough, for me, at that age. So, I pictured scenes that I wished for or I would take an object or substance and make entertainment out of it, just by looking.
As I got older, I began attempting to create an abstract presentation in my work. By applying paint to portrait photographs, capturing skin with Macro. But I grew curious of how certain weather conditions could manipulate photographs.
Ain’t No Sunshine is a project fulfilling that curiosity, by placing various photographs, in various sizes, outside, for a week to a month. And unsurprisingly insects and bugs have help support my work.
