This is part of a series of geometric abstract paintings I began creating in the fall of 2016. I regard them as an extension of the tradition that was advanced in the 1960s and 70s, variously known as hard-edge abstraction or colorfield painting (but at times identified as minimal, cool, post-painterly, etc.). I paint with gouache, which is matte, and individual patterns are autonomous and devoid of modulation or emotional expression (i.e., brushwork), keeping the work objective and impersonal. There’s no illusion of space or identifiable real-world subject. 36x36x2.5 inches, signed and dated on the back.
A Prayer Said Backwards
01.04.18 — grayjacobik
This is part of a series of geometric abstract paintings I began creating in the fall of 2016. I regard them as an extension of the tradition that was advanced in the 1960s and 70s, variously known as hard-edge abstraction or colorfield painting (but at times identified as minimal, cool, post-painterly, etc.). I paint with gouache, which is matte, and individual patterns are autonomous and devoid of modulation or emotional expression (i.e., brushwork), keeping the work objective and impersonal. There’s no illusion of space or identifiable real-world subject. 36x36x2.5 inches, signed and dated on the back.
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